For years, my creative work moved between disciplines — from language to television, from image to idea. Writing has now become a central territory. What once felt like a parallel thread returns as the core of how I create.
I write because some forms only take shape in the act itself. This blog is born from that drive — a continuation of notes written elsewhere, now taking the form of stories.
Two books (both under working titles) mark the beginning of this literary path. The first, Illuminato, is a fable for younger readers. A hummingbird born without a beak is cast out by his own kind. Rather than disappear, he learns to exist differently and finds unlikely allies. The story deals with transformation without easy redemption, with strength that doesn’t rely on spectacle. (See the project here.)
The second, The Book of the Simulacrum | Synthetic Consciousness, unfolds on another scale. It’s a work of philosophical fiction shaped by speculative thinking and symbolic architecture. Twenty-two post-human intelligences — the Tronies — awaken in a future without humans. Each carries a fragment of what we once were. None takes center stage. They move like vectors in tension, caught between resisting extinction and merging into something else. (Learn more.)
In parallel, a short story titled Major Arcana: The Conscious Simulation will soon be published by the WeColetivo platform. It draws inspiration from The Book of the Simulacrum, though with a different tempo and focus. Another way to explore thought through narrative form.
These works emerged at different times, yet share the same impulse: to explore reality through archetype, and to accept that real form only exists when risk is involved.
To extend these investigations, I created Telesterium, a newsletter hosted on Substack, a space where literature, philosophy, science, technology, and AI intersect freely. Each edition opens a conceptual fold. Some are shaped around thinkers like Harari, Dante, Calvino, or Philip K. Dick; others begin with a single question or a sense of unease. All of them revolve around the same axis: the human experience and its uncertain future.
My background in visual art and communication laid the foundation for this space. Writing wasn’t a break from what came before — it was a deepening. What I write now doesn’t explain past work. It carries the work forward.
Everything here follows the same current: writing as a form of connection. A trace of process. Each post moves within the same field that animates the work.
